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Seven Samurai Japanese : 七人の侍Hepburn : Shichinin no Samurai is a Japanese epic samurai drama film co-written, edited, and directed by Akira Kurosawa. The story takes place in [3] during the Sengoku period of Japanese history. It follows the story of a village of desperate farmers who hire seven rōnin masterless samurai to combat bandits who will return after the harvest to steal their crops. At the time, the film was the most expensive film made in Japan. Ina bandit gang discusses raiding a mountain village, but their chief decides to wait until after the harvest.
The villagers overhear this and turn to Gisaku, the village elder and millerwho declares that they should hire samurai to protect them.
Since they have no money and can only offer food as payment, Gisaku advises them to find hungry samurai. Several villagers go into town and eventually find Kambei, the last samurai essay, an aging but experienced rōninwhom they see rescuing a young boy held hostage by a cornered thief. A young samurai named Katsushirō asks to become Kambei's disciple. The villagers ask for Kambei's help, and though initially reluctant, he agrees, the last samurai essay. He then recruits his old comrade-in-arms Shichirōji, along with Gorobei, Heihachi, and Kyūzō, a taciturn master swordsman whom Katsushirō regards with awe.
Kikuchiyo, a wild and eccentric rōnin, is also accepted despite attempts to drive him away. Upon arrival, the samurai find the villagers cowering in their homes, refusing to greet them.
Insulted, Kikuchiyo rings the village alarm, prompting the villagers to come out and beg for protection. Slowly, the samurai and farmers learn to trust each other, the last samurai essay. Katsushirō meets Shino, a farmer's daughter whose father has disguised as a the last samurai essay, and becomes intimate despite knowing their different social classes prohibit it.
Later, the last samurai essay, the samurai are angered when Kikuchiyo brings them armor and weapons, which the villagers acquired by killing other samurai injured or fleeing from battle. Kikuchiyo angrily retorts that samurai are responsible for much of the suffering farmers endure, revealing his origin as an orphaned farmer's son.
The samurai's anger turns to shame. Kambei arms the villagers with bamboo spears, and divides them into squads to prepare defences and train.
Three bandit scouts are spotted; two are killed, while the survivor reveals the location of their encampment before being slain by the villagers. The samurai burn down the camp in a pre-emptive strike. Rikichi, a troubled villager aiding the samurai, breaks down when he sees his wife, who was kidnapped and made a concubine after a previous raid.
Upon seeing Rikichi, she runs back into a burning hut to her death. Heihachi is killed by a gun shot while rescuing Rikichi. The saddened villagers are inspired by Kikuchiyo, who raises a banner Heihachi made to represent the samurai and the village. When the bandits finally arrive, they are confounded by the new fortifications, which include a moat and high wooden fences.
They burn the village's outlying houses, including Gisaku's mill. Gisaku's family tries to save him when he refuses to abandon it, but all perish except a lone baby rescued by Kikuchiyo.
The bandits then besiege the village, but many are killed as the defenders thwart every attack, which include cavalry charges that are allowed through a breach so that they could be ambushed.
The bandits possess three matchlock muskets. Kyūzō ventures out alone and retrieves one; an envious Kikuchiyo abandons his squad to bring back another. However, Kikuchiyo's absence allows a handful of bandits to infiltrate his post and kill several farmers, and Gorobei is slain defending his position, the last samurai essay. That night, Kambei predicts that the bandits will make one final assault due to their dwindling numbers.
Meanwhile, Katsushirō and The last samurai essay relationship is discovered by her father, who is enraged that her virginity has been taken and beats her. Kambei and the villagers intervene; Shichirōji reasons that such a coupling is normal before battle and that they should be forgiven, but the social shame is irreconcilable. The next morning, the last samurai essay, the defenders allow the remaining bandits to enter the last samurai essay village and then ambush them.
As the battle winds down, the bandit chief hides in the women's hut armed with a musket, and shoots Kyūzō dead. An enraged Kikuchiyo charges in and is shot as well, but kills the chief before dying. The remaining outlaws are slain. In the aftermath, Kambei, Katsushiro and Shichirōji watch from the funeral mounds of their comrades as the joyful villagers sing whilst planting their new crops.
Katsushiro and Shino meet one last time, but their relationship has ended. Kambei reflects to Shichirōji that it is another pyrrhic victory for the samurai: "The victory belongs to those peasants. Not to us. Akira Kurosawa had originally wanted to direct a film about a single day in the life of a samurai. Later, in the course of his research, he discovered a story about samurai defending farmers.
According to actor Toshiro Mifune, the film was originally going to be called Six Samuraithe last samurai essay, with Mifune playing the role of Kyuzo. During the six-week scriptwriting process, Kurosawa and his screenwriters realized that "six sober samurai were a bore—they needed a character that was more off-the-wall".
Kurosawa and the writers were innovative in refining the theme of the assembly of heroic characters to perform a mission. According to Michael Jeck's DVD commentarySeven Samurai was among the first films to use the now-common plot element of the recruiting and gathering of heroes into a team to accomplish a specific goal, a device used in later films such as The Guns of NavaroneSholaythe western remake The Magnificent Seventhe last samurai essay, and Pixar's animated film A Bug's Life.
Kurosawa refused to shoot the peasant village at Toho Studios and had a complete set constructed at Tagata on the Izu PeninsulaShizuoka.
Although the studio protested the increased production costs, Kurosawa was adamant that "the quality of the set influences the quality of the actors' performances For this reason, I have the sets made exactly like the real thing. It restricts the shooting but encourages that feeling of authenticity.
It was just the kind of picture that is impossible to make in this country. Long before it was released, the film had already become a topic of wide discussion. Toho Studios closed down production at least twice. Each time, Kurosawa calmly went fishing, reasoning that the studio had already heavily invested in the production and would allow him to complete the picture. The film's final battle scene, originally scheduled to be shot at the end of summer, was shot in February in near-freezing temperatures, the last samurai essay.
Mifune later recalled that he had never been the last samurai essay cold in his life. Through the creative freedom provided by the studio, Kurosawa made use of telephoto lenseswhich were rare inas well as multiple cameras which allowed the action to fill the screen and place the audience right in the middle of it.
His method was to put one camera in the the last samurai essay orthodox shooting position, the last samurai essay camera for quick shots and a third camera "as a kind of guerrilla unit". This method made for very complicated shoots, for which Kurosawa choreographed the movement of all three cameras by using diagrams. The martial arts choreography for the last samurai essay film was led by Yoshio Sugino of the Tenshin Shōden Katori Shintō-ryū.
Initially Junzo Sasamori of the Ono-ha Itto-ryu was working along the last samurai essay Sugino, but he was asked by the Ministry of Education to teach in Europe during production. During filming Kurosawa quickly earned a reputation with his crew as the "world's greatest editor" because of his practice of editing late at night throughout the shooting. He described this as a practical necessity that is incomprehensible to most directors, who the last samurai essay major production spent at least several months with their editors assembling and cutting the film after shooting is completed.
Kurosawa had a heightened interest in the soundtracks of his films. For The Seven Samuraihe collaborated for the seventh and penultimate time with friend and composer Fumio Hayasaka.
Hayasaka was already seriously ill when Kurosawa visited him during the filming of the Seven Samurai and he died prematurely of tuberculosis on October 15,at the age of 41, while Kurosawa was filming I Live in FearKurosawa's next film, which Hayasaka was unable to complete. In analyzing the film's accuracy to sixteenth century Japan, Philip Kemp wrote, "to the farmers whose crops were pillaged, houses burned, the last samurai essay, womenfolk raped or abducted, the distinction between samurai warriors and bandit troupes became all but meaningless.
Kenneth Turan notes that the long runtime "reflects the entirety of the agricultural year, from planting to gorgeous blossoming to harvesting. At minutes, including a five-minute intermission with music, Seven Samurai would be the longest picture of Kurosawa's career. Fearing that American audiences would be unwilling to sit through the entire picture, Toho Studios originally removed 50 minutes from the film for U. Prior to the advent of DVD, various edited versions were distributed on video, but most DVDs and Blu-rays contain Kurosawa's complete original version, including its five-minute intermission.
Sincethe Criterion Collection 's US releases have featured their own exclusive 2K restoration, whereas most others, including all non-US Blu-rays, have an older HD transfer from Toho in Japan. InToho carried out a six-month-long 4K restoration, along with Kurosawa's Ikiru As the whereabouts of Seven Samurai' s original negative is unknown, second generation fine grain positive and third generation duplicate negative elements were used.
As ofthis version has not been released anywhere on home video. Seven Samurai was well received by Japanese audiences, earning a distribution rental income of ¥ Overseas, the box office income for the film's North American release is currently unknown. Other European re-releases between and sold 27, tickets. As ofSeven Samurai is the best-selling home video title ever released by the British Film Institute. The site's critical consensus reads: "Arguably Akira Kurosawa's masterpiece, The Seven Samurai is an epic adventure classic with an engrossing story, memorable characters, and stunning action sequences that make it one of the most influential films ever made".
Many critics outside of Japan compared the film to westerns. Bosley Crowtherwriting for The New York Timessaid the film "bears cultural comparison with our own popular western High Noon, the last samurai essay. That is to say, it is a solid, naturalistic, he-man outdoor action film, wherein the qualities of human strength and weakness are discovered in a crisis the last samurai essay with peril.
Inthe film was ranked at number five in Time Out magazine's Top Films Centenary. Kurosawa both directed and edited many of his films, including Seven Samurai. Inthe Motion Picture Editors Guild listed Seven Samurai as the 33rd best-edited film of all time based on a survey of its members.
Seven Samurai was a technical and creative watershed that became Japan's highest-grossing movie and set a new standard for the industry. It is largely touted as what made the the last samurai essay the team" trope popular in movies and other media. This has since become a common trope in many action movies and heist films.
It has remained highly influential, often seen as one of the most "remade, reworked, referenced" films in cinema. Elements from Seven Samurai have been borrowed by many films. Examples include plot elements in films such as Three Amigos by John Landisvisual elements in the large-scale battle scenes of films such as The Lord of the Rings: The Two Towers and The Matrix Revolutionsand borrowed scenes in George Miller 's Mad Max: Fury Road Sholaya " Curry Western " Indian film written by Salim—Javed Salim Khan and Javed Akhtar and directed by Ramesh Sippyhas a plot that was loosely styled after Seven Samurai.
Sholay became the most commercially successful Indian film and revolutionized Bollywood. There have been pachinko machines based on Seven Samurai in Japan.
THE LAST SAMURAI - The Way
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